thanks to RPLife :-
Great new details about Cosmopolis with quotes from Rob, Cronenberg and the resr of cast and crew. Since it's a 30-page document, I'm only posting the Rob mentions. You can download everything directly HERE or at the source (Press Kit).
David Cronenberg and long-time collaborator, casting director Deirdre Bowen, have assembled a remarkable cast, with talent from America, Canada, England, and France. The script is character-driven—much of the plot involves short, intense encounters between the protagonist and the secondary characters. The dialogue is central and often demanding. Eric Packer’s personality and psychological journey unfolds in a series of close interactions with the people of the cosmopolis—his employees, lovers and enemies. Choosing the lead actor was crucial, of course, and because the rest of cast would have to work briefly but intimately with the lead, supporting roles also required strong casting.
“Casting is a black art,” proclaims David Cronenberg. “You can kill your movie by making a mistake before you’ve even shot film.” When Robert Pattinson’s name was proposed for the lead role of Packer, Cronenberg watched much of his work—including the young actor’s role as Salvador Dali in Little Ashes—and he was sold: “Rob was the most interesting and exciting actor suggested for COSMOPOLIS, and I knew that he would bring something wonderful to the screen—maybe even something he didn’t know he had.” Under David’s direction, Robert delivers an edgy, understated performance. In fact, Robert notes that he has never felt “utilized to this degree as an actor,” and fellow cast member Paul Giamatti describes Robert’s casting as “genius.”
Robert Pattinson—Eric Packer
Eric Packer is a selfish young member of the ruling class, at the top of the super-rich 1%. He is an anti-hero whose privileged reality is decadent and isolated. Casting Robert Pattinson in this unsympathetic role wasn’t obvious. Robert’s super-stardom perhaps gives him some insight to the pressures of success, but his pressures include the attention of a zealous fan base that might expect him in a different role. And he is younger than Eric Packer was envisioned, an age difference that influences the rest of the casting process. On the other hand, young billionaires and tech-savvy traders are not unusual in today’s society. Plus, casting Robert presents an opportunity to attract a new generation to Cronenberg’s work.
Ultimately, the choice rested on Pattinson’s talent and experience, with or without celebrity. Cronenberg found Robert mature and willing to challenge himself: “...Rob is not deluded about his fame; he understands that popularity is not the essence of being a good actor, and recognizes the danger of taking projects to please others rather than himself.” Bringing the egomaniacal Eric Packer to life required Pattinson to forget being a sympathetic character.
Cronenberg observes, “Some actors worry about not being appealing or sensitive, but that was never an issue for Rob; it was always about finding the often unlikeable truth of who Eric is and what it means to be a 25-year-old billionaire.... Rob is incredibly likeable, but he doesn’t need to be liked.” So Eric Packer, a financial god, perhaps soulless but with feet of clay, is realized by the charismatic, modest Robert Pattinson.
Robert was surprised and excited by the COSMOPOLIS offer. He recounts receiving the screenplay about a year earlier and thinking it was “one of the most original scripts” he’d read. However, he doubted he’d get the part: “Then the offer came out of the blue and I was amazed!” Praising David’s consistently “thought-provoking” and innovative work, Robert says he was certain about taking the part; however, he admits, “I had no idea how I was going to play it.... I was scared at first, mainly because I could interpret the script and play it so many different ways....” He didn’t have much time with David before shooting, but he knew he was in good hands. His trust in the director, as well as David’s in Robert, was wellfounded. “I could feel David moulding it as we shot, and that made me really comfortable because it meant there was no specific right or wrong way. Eventually, I was very relaxed, especially for it being such an intense piece.”
Pattinson wanted a project that would take him to the edges of himself, and COSMOPOLIS provides the character to do it. Eric Parker is inscrutable and contradictory, both calculating and reckless. Robert had to find the emotional core of a man who is desensitized, a man who interprets the world in terms of numbers and acquisitions. Robert notes, “I think Eric has an all-consuming ego.” He lives an artificial existence, and Eric’s success seems a product of detachment and cold rationality. Yet his odd quest for a haircut is risky, irrational. He normally makes people come to him, including a physician for a daily exam, but he insists on seeing an old-fashioned barber on the opposite side of town, despite the risk to his personal safety.
Rob notes his character’s grasp of contemporary events, business and politics. Eric Packer’s knowledge of the world, however, comes primarily through technology, and he sees most things as mere information, “some kind of list or matrix,” Rob suggests, about which he is dispassionate. Rob describes Eric “Watching screens informing him of current data all the time. I think he ends up taking drastic measures just to feel something because he’s become so desensitized.” He knows, and somewhat owns, many people but seems to have no friends. Even his new wife feels distant, an acquisition, someone to use or ignore. He is the master of his cosmos, but is he lonely at the top? Does he care? The enigma of Eric’s character is central to the film, and his interaction with secondary characters both shapes that puzzle and perhaps gives clues to solving it.
Cronenberg assured Pattinson of his directorial support in creating an authentic Eric Packer. He also promised Rob “fantastic actors” to work with on COSMOPOLIS -- and delivered. In addition to the masterful Paul Giamatti, Robert performs with cast ranging from the fresh talents of Sarah Gadon and Jay Baruchel to French luminaries Juliette Binoche and Mathieu Amalric. Pattinson sums up the ensemble cast: “All the actors come from different backgrounds, have different personalities and have all done completely different kinds of movies. They didn’t know a lot about the film, but everybody wants to work with David and that’s why they’re here.”
Read the rest here