New Interview with Howard Shore the Man behind the Eclipse Score

From EclipseMovie.org :

With NEW MOON, Alexandre Desplat admitted that he ignored Carter Burwell’s score for TWILIGHT and did not even see the first film. Did you follow that same mentality with ECLIPSE?

No, I actually did some pretty thorough research. I like to read a lot, and I knew the story. I was really interested in it from a dramatic point of view. And I felt that the story expands with the third film. I did the research and fell into a very interesting creative process. It was a pleasure to work on.

And I found both guys’ scores to be very good. Carter’s was such a good score, and Alexandre’s was just beautiful.

How was the experience tracking for songs through ECLIPSE?

I worked with Emily Haines and James Shaw of the group Metric, and Metric was a group that I had researched and felt that they would be good collaborators for this project. I asked them if they would be interested in writing with me, and the three of us created the song “Eclipse (All Yours).” I actually like the collaboration of working with different artists.

And that is something that you see less and less of in Hollywood. Back during the heyday of James Bond, you would almost always see a composer co-write the movie’s theme song.

Yes, yes! I enjoy that very much.

Listening to the ECLIPSE score, I noticed that you made Jacob the primary musical character, while using Bella as a sort of surrogate, bookending character.

He’s an important part of the story, and his character is an important element in the arc of the story. The timing was right in the third part to work with Jacob’s feelings and the dramatic arc of Jacob’s story. The Jacob character wasn’t really developed until the third film. It just felt right.

Since there were no previously established themes for Jacob, Victoria, Rosalie, Jasper, and Jane, did you feel any weight to present them in a proper fashion?

Definitely. I write how I feel where the emphasis is. And the emphasis for this part of the story might have been different from what had come before. So it just felt right for me to focus on and emphasize certain themes in the story.

I love Jacob's Theme. Howard Shore is an amazing composer, I like how he did work with Metric for the title track of Eclipse ( it's amazing by the way ) How do you guy's feel after reading this interview you think he will do a good job on the score ? i wanna no what yall think :)

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