What Do Women Want : part 1and How Twilight Answers That question

Really awesome article up on The Huffington Post about Twilight's role in pop culture, talks about women and how twilight gives them an escapist fantasy ,also talks about Hollywood and how Hollywood can’t figure out what women want....it is really well worth the read...

Here is some excerpts from the article :-

On fantasy

Men get a bye when it comes to their fantasy life – no matter how disturbing or buffoonish – but women are expected to be the grown-ups, even though it’s not much fun being the designated driver. In a strange way, we take female fantasies too seriously and not seriously enough. Our movie fantasies are supposed to be tame and measured, lest they cause alarm. You rarely hear people worrying about protecting society from James Bond’s or Batman’s exploits, but when something lowbrow for women comes along, like the blockbuster Twilight series, the hailstorm of scorn and anxiety rains down. It’s hard to be both insipid and harmful, yet that’s often the standard rap about chick flicks. But if you can ignore the din of derision, a seemingly lightweight adventure like Twilight offers some interesting clues about the female inner world.

By now, everyone has heard of the impossible love story of the teenage girl from Forks and her immortal vampire love. If you know nothing else about Bella and Edward's baroque romance, or the pack of sullen adolescent wolves who try to subvert it, you may have at least heard about the sickening birth scene in the most recent film installment, Breaking Dawn, that allegedly gave some real movie-goers seizures. So let's jump straight into Crazy Land, shall we, with a plot that hinges on an unexpected honeymoon pregnancy of epic proportions. After just a few moments of soft-core bliss, Bella's devastated husband and the audience watch with helpless horror while her body wastes away from the stress of carrying an inhuman pregnancy.

On unplanned motherhood

…But Breaking Dawn – a movie helmed by an Oscar-winning team — captures the fear, longing, and emotional isolation of motherhood more than almost any movie I can recall. We see this first in the immediate discovery of the pregnancy as Edward, who refers to the embryo as a “thing,” retreats into a whirlwind of manic energy, deflecting his anxiety by packing and arranging flights home, while his young bride stands quietly absorbing the gravity of her situation. In the taxi to the airport, the formerly enraptured couple sits apart in frozen silence. Like voyeurs, we watch the unfolding of an age-old truth: in an unplanned pregnancy story, there can be only one protagonist.

On the dangers and fears of giving birth

Breaking Dawn also engages seriously with the idea that childbearing can be a scary and very bloody business. It’s easy to forget that more than 500,000 women worldwide still die every year in childbirth, and even that staggering number doesn’t begin to capture the many millions more who come close to death or who are left with disabling physical injuries. Not to mention the agony of pregnancy loss, neonatal death, birth anomalies, and other undesired outcomes. Women know this, of course, the way generations of men have known battle stories. War movies, of varying degrees of realism and quality, have always provided a window into men’s hopes and fears.

I mention maternal mortality because it’s not only women’s dreamy fantasies that are absent in mainstream movies. Women’s fears are missing, too. It says something deeply unflattering about the state of American culture that it takes a teenage vampire movie to capture women’s worries, imagined and real, about reproduction and motherhood. For all its freakish implausibility, critics who panned the nauseating birth scene in Breaking Dawn were missing the point.

It's grotesque, yes, but not ridiculous. Robert Pattinson nails the desperation (on poor Edward's bloodied face) that accompanies a birth when things go badly wrong. But in some ways, theBreaking Dawn scene actually doesn't go far enough in its gothic horror. When I lost half my blood volume giving birth to my first child, an obstetrical resident crudely described the delivery room scene as a "Texas Chainsaw Massacre party." And a physician friend recently noted that, "cesareans are real blood baths." Are we surprised, then, that female viewers might be drawn to Breaking Dawn like a highway pileup? The theatre went totally silent during the birth scene at the screening I attended. This crazy s*** speaks to us.

Check out the rest on the Huffington Post

the article 3 parts , part 2 will be on next  Wednesday.

 via : TL

Views: 362

Comment by Kari on February 20, 2012 at 11:06am

Wow, very interesting. I want to

Comment by Kim on February 20, 2012 at 3:15pm

Liked the article!


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